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History · Marche, Marche

Galleria Nazionale delle Marche (Urbino)

  • EraLate Medieval to Baroque (14th-17th c.)
  • Admission€10 full; €2 reduced; free first Sunday of month
  • HoursTue-Sun 8:30AM-7:15PM; closed Mondays

The Galleria Nazionale delle Marche occupies the Palazzo Ducale di Urbino, the Renaissance palace of Federico da Montefeltro, and is the foremost art museum of the Marche region in central Italy. Established in 1912 and arranged through the palace's ceremonial halls and ducal apartments, it gathers paintings, sculpture, drawings and decorative arts that trace the artistic glory of the Montefeltro court and the wider region from the late Middle Ages to the Baroque.

The region's premier art gallery in the Palazzo Ducale, holding Piero della Francesca's Flagellation, Raphael's La Muta and Paolo Uccello's Profanation of the Host

The Galleria Nazionale delle Marche occupies the Palazzo Ducale di Urbino, the Renaissance palace of Federico da Montefeltro, and is the foremost art museum of the Marche region in central Italy. Established in 1912 and arranged through the palace's ceremonial halls and ducal apartments, it gathers paintings, sculpture, drawings and decorative arts that trace the artistic glory of the Montefeltro court and the wider region from the late Middle Ages to the Baroque. Its supreme treasures are two works by Piero della Francesca, the enigmatic Flagellation of Christ, celebrated for its mastery of perspective and its unresolved iconography, and the tender Madonna of Senigallia. The gallery also holds Raphael's portrait of a gentlewoman known as La Muta, fittingly displayed in the city of the painter's birth, and Paolo Uccello's narrative predella of the Profanation of the Host, alongside works by Justus of Ghent, Pedro Berruguete, Federico Barocci and Titian. Beyond the paintings, visitors pass through Federico's intarsia-lined Studiolo and the richly carved interiors of the palace itself, so that the container and the collection together form a single Renaissance experience. The display follows the architecture of the palace, leading from the grand courtyard up through the ducal rooms, and the museum forms the cultural heart of Urbino, a city inscribed in its entirety on the UNESCO World Heritage List. As a national gallery it offers bilingual interpretation and ties the masterpieces directly to the court that commissioned much of the regional art on show.

Practical information for Galleria Nazionale delle Marche (Urbino) · Last updated May 2026
Admission €10 full; €2 reduced; free first Sunday of month
Hours Tue-Sun 8:30AM-7:15PM; closed Mondays

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Highlights

  • Piero della Francesca's Flagellation of Christ and Madonna of Senigallia
  • Raphael's portrait La Muta in the painter's birth city
  • Paolo Uccello's predella of the Profanation of the Host
  • Federico da Montefeltro's intarsia-lined Studiolo
  • Works by Barocci, Titian, Justus of Ghent and Pedro Berruguete

Tips for visiting

  • Head first to the Piero della Francesca room, the gallery's must-see works
  • Admission is around €10, with free entry on the first Sunday of the month
  • Closed Mondays except public holidays; plan a Tuesday-to-Sunday visit
  • Allow time for the Studiolo and the palace interiors as part of the experience
  • Combine with a walk to the Fortezza Albornoz for the Urbino skyline

When to visit

Weekday mornings shortly after opening are quietest, giving unhurried time with the Piero della Francesca masterpieces.

Accessibility

The gallery provides lift access to the principal floors of the palace, though Urbino's steep streets and some historic thresholds are uneven; staff can advise on the accessible route at the ticket desk.

Frequently asked questions

Is the gallery English-language friendly?

Yes. Labelling and panels are generally bilingual, and English audio guides and guided tours can be arranged for the collection.

How long does a full visit take?

A complete visit to the gallery and the ducal apartments takes about two to two and a half hours.

Can you visit with kids?

Yes. The galleries are calm and the palace itself, with its towers and Studiolo, gives children plenty to engage with.