The small plaza where Bogota's founding is traditionally re-enacted sits at the head of the Calle del Embudo, a funnel-shaped cobbled lane whose walls carry some of the densest mural work in the city. Colonial doorways, chicha stalls and constantly repainted graffiti make it the single richest block for street photography in La Candelaria.
Chorro de Quevedo and the Calle del Embudo lie in the La Candelaria district of Bogota, Colombia, at the foot of the Cerros Orientales near Carrera 2 and Calle 12B. The small plaza at the head of the lane is where Bogota's founding is traditionally re-enacted, and it opens onto the Calle del Embudo, a funnel-shaped cobbled street whose walls carry some of the densest mural work in the city. The frame combines colonial doorways, tiled eaves, hanging signs, constantly repainted graffiti and the stalls and small bars that serve chicha, the traditional fermented drink. Because the lane is narrow and shaded, the light is diffuse and contrasty. Mid-morning gives the most even illumination for murals, while from about 4:00 p.m. the walls catch reflected light and the bars fill with people, which suits street portraits and candid work. Direct midday sun can burn out the top of the walls while leaving the lane in shadow, so overcast days are actually helpful. December to March is drier and brighter, but the lane is photogenic year round, and the murals change frequently as artists repaint them. The plaza and the lane are crowded on weekends and evenings with students, tour groups and street performers, so tripods are impractical and can obstruct foot traffic. Handheld shooting with a fast prime is the sensible approach. Drone flights are not practical over the dense old town and are not advisable. There is no entry fee, although graffiti tours run from the area and charge a fee. The neighbourhood is popular with visitors but opportunistic theft occurs, so a strap worn across the body and a low profile with gear are advisable. Cafes and small restaurants around the plaza offer restrooms and water for customers. Street artists generally welcome photography of their work, but portraits of people should be taken with permission.
| Best time | Mid-morning for even light in the narrow lane, or from 4:00 p.m. as the chicha bars fill and the murals catch reflected light |
|---|---|
| Best season | Year round; drier and brighter between December and March |
| Difficulty | easy |
| Address | Carrera 2 with Calle 12B, La Candelaria, Bogota D.C., Colombia |
Shooting notes
- Equipment
- Fast 35 mm or 50 mm prime for the low light in the lane, Wide-angle lens for tight mural walls, Camera strap worn across the body, Small flash or reflector for doorway portraits, Compact rain shell
Location
Carrera 2 with Calle 12B, La Candelaria, Bogota D.C., Colombia
4.5962, -74.0703 View on map
Highlights
- Dense mural walls along the funnel-shaped Calle del Embudo
- Colonial doorways and tiled eaves framing the lane
- Chicha stalls and bars for candid street portraits
- Founding plaza with the hillside of the Cerros Orientales behind
Tips for visiting
- Use a fast 35 mm or 50 mm prime for the low light in the lane.
- Bring a wide-angle lens for tight mural walls and narrow street perspectives.
- Shoot murals mid-morning when light is even, and street scenes from 4:00 p.m.
- Wear the camera strap across the body and keep valuables out of sight.
- Ask before photographing people, and consider buying a drink at a stall.
- Book a graffiti tour to learn about the artists behind the murals.
When to visit
Mid-morning for even light, or from 4:00 p.m. as the bars fill. December to March is drier and brighter; weekends are the busiest.
Accessibility
The lane is cobbled and gently sloped, so it is reachable without a hike but uneven for wheelchairs. The plaza itself is small and mostly level.
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Frequently asked questions
When is the best time to photograph the murals?
Mid-morning gives even light in the narrow lane. Late afternoon adds reflected light and livelier street scenes.
Is a tripod practical on Calle del Embudo?
Not really, because the lane is narrow and busy on weekends and evenings. Handheld shooting with a fast prime works better.
Is there an admission fee?
No, the plaza and lane are public streets. Graffiti tours starting nearby charge their own fees.
Is the area safe for photographers?
It is popular with visitors, but opportunistic theft occurs. Keeping gear close and visible only when shooting is the usual approach.