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History · Aguascalientes, Aguascalientes

Museo José Guadalupe Posada

  • EraPorfiriato popular printmaking (1852-1913)
  • Admission$20 MXN (approx $1.18 USD); free on Wednesdays
  • HoursWednesday-Sunday 11:00AM-6:00PM, closed Monday-Tuesday

The Museo Jose Guadalupe Posada stands beside the Jardin del Encino in the Barrio del Encino, the oldest surviving neighbourhood of Aguascalientes, Mexico, and occupies a former priest's house next to the eighteenth-century Templo del Senor del Encino.

Museo José Guadalupe Posada

Set in the artist's home neighborhood of Barrio del Encino, this museum preserves prints, engraving plates and personal items of José Guadalupe Posada (1852-1913), the Aguascalientes-born printmaker whose satirical calavera engravings became a defining image of Mexican popular culture and later influenced the country's Day of the Dead iconography.

The Museo Jose Guadalupe Posada stands beside the Jardin del Encino in the Barrio del Encino, the oldest surviving neighbourhood of Aguascalientes, Mexico, and occupies a former priest's house next to the eighteenth-century Templo del Senor del Encino. It is dedicated to Jose Guadalupe Posada, born in this city in 1852, who trained as a lithographer in Aguascalientes before moving to Leon and then to Mexico City, where he produced tens of thousands of engravings for the penny press of Antonio Vanegas Arroyo until his death in poverty in 1913. Posada illustrated broadsides on crimes, disasters, miracles, ballads and political scandal for a largely non-literate audience, and it was in that commercial work that he developed the calavera, the animated skeleton standing in for the living, whose most famous incarnation, La Catrina, became a defining image of Mexican popular culture and of modern Day of the Dead iconography. The collection holds original prints, zinc and type-metal engraving plates, broadsheets as they were sold in the street, and material relating to the printing trade of the period, alongside personal items and documents from the artist's life. The display is thematic rather than strictly chronological, grouping the calaveras, the news illustrations and the religious and popular imagery, and it gives space to the printing process itself, so visitors can see how the plates relate to the sheets pulled from them. A second gallery hosts temporary exhibitions of graphic art, which often set contemporary Mexican printmakers against Posada's work. Opened in 1972, the museum is small and easily seen in an hour, with a shop selling reproductions. Admission is around $20 MXN, with free entry on Wednesdays, and hours run Wednesday to Sunday, 11:00AM to 6:00PM, so a Monday or Tuesday visit is not possible. The Barrio del Encino around it, with its cobbled lanes and painted houses, is one of the most atmospheric quarters of the city.

Why it matters

The museum holds the principal collection of work by Jose Guadalupe Posada, the Aguascalientes engraver whose broadsheet calaveras gave Mexico its most recognisable popular imagery and influenced Rivera, Orozco and the muralist generation. His skeleton figures underpin the modern visual language of the Day of the Dead.

Location

Jardín del Encino s/n esq. Calle Dr. José Díaz de León, Barrio del Encino, 20000 Aguascalientes, Ags., Mexico

21.8791, -102.2924 View on map

Highlights

  • See original Posada engraving plates alongside the printed broadsheets pulled from them.
  • Trace the development of the calavera figure that became La Catrina and modern Day of the Dead imagery.
  • Examine penny-press sheets on crimes, disasters and ballads as they were sold in the street.
  • Visit temporary exhibitions setting contemporary Mexican printmakers against Posada's graphic work.
  • Step outside into the Jardin del Encino and the eighteenth-century Templo del Senor del Encino next door.

Tips for visiting

  • Entry is free on Wednesdays; on other days admission is about $20 MXN in cash.
  • The museum is closed Monday and Tuesday, opening Wednesday to Sunday from 11:00AM to 6:00PM.
  • Begin in the room on printing technique so the plates make sense before the calavera galleries.
  • The engraving plates, rather than the framed prints, are the objects worth lingering over.
  • Allow extra time to walk the cobbled lanes of the Barrio del Encino, one of the oldest quarters of Aguascalientes.

When to visit

Weekday late mornings are quietest; Wednesdays draw larger crowds because entry is free. Late October and early November bring Day of the Dead programming that connects directly to Posada's calaveras.

Accessibility

The museum entrance from the Jardin del Encino has a shallow step and the main galleries are on one level, so wheelchair access to the permanent collection is generally workable. The cobbled streets of the Barrio del Encino approaching the building are uneven and can be difficult.

Frequently asked questions

Is the museum English-language friendly?

Labels are chiefly in Spanish, with some bilingual panels. The imagery carries much of the meaning, but visitors who want detail on the satirical broadsheets benefit from a translation app or a guide.

How long does a full visit take?

About an hour covers the permanent galleries and the temporary exhibition space. The museum is compact, and a focused visit can be done in forty minutes.

Can you visit with kids?

Yes. Skeleton imagery is familiar and appealing to Mexican children, though a few broadsheets depict crimes and disasters in graphic terms.

Which days is it closed?

The museum closes on Mondays and Tuesdays. Wednesday offers free admission and is consequently the busiest day of the week.